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navigating new trenches after a breakup

08/23/12 1 Comment

written by kate mcgovern for nytimes:

SOME years ago, when I was living in Britain, I received an e-mail from a college friend who had recently announced her first pregnancy. “We have become good friends with a black/white couple,” she wrote. “They have a precious baby boy — you and Dan are going to have the cutest kids!”

Yes, Daniel was black and I was white — a British Jamaican and an American half-Jew, respectively — and yes, I suspected that we would have cute kids. But her well-intentioned e-mail made me roll my eyes. It was hard to imagine commenting to a white couple that their future children would be attractive simply because you’d seen some other white parents with a good-looking child.

Now that Daniel and I have broken up, no one tells me how cute my kids are going to be anymore. To be fair, that’s probably because I’m 30 and single again and my friends are trying to be sensitive by not talking about my future children at all. But to me, this is all part of a strange new landscape I am navigating, as I renegotiate both my singleness and my whiteness.

O.K., let’s not mince words. Whiteness is indelible. With and without Daniel, my skin color has allowed me countless minuscule and immense privileges, most of which I don’t even notice unless I choose to.

But when I fell in love with Daniel, my whiteness no longer told the whole story. With Daniel, I was white as ever, but I was also part of a unit that was half white and half black. Coming out of that, I’ve learned, is complicated.

Daniel and I were one of those couples that made a good story. We met in New York. I was living there when he came for a week to see a mutual friend. There was a dinner party; we locked eyes and ignored everyone else in the room for the rest of the evening.

A few days after Daniel returned to Britain, I stood in front of the mirror in my apartment in Queens and said out loud to my reflection, by way of trying to convince myself not to e-mail him — “What are you going to do, move to England?”

I e-mailed him. Seventeen months later, I moved to England.

And then, three years after that, I came home to Boston for what I expected would be a monthlong visit, and he called me on Skype and told me it was over.

There had been no warning, no gradual deterioration. Not two months earlier, we had spent more than $1,000 on my new spousal visa. We had been through trying times — the trans-Atlantic distance, a long stretch of unemployment and, most devastatingly, the sudden death of his mother — and through it all, we’d been solid. But now he wanted out.

He shipped my things. I got a job, an apartment and carried on with my life — broken in strange places, but functional.

At the end of a serious relationship, you are left feeling somewhat flummoxed by who you are on your own. I missed small and large things: long drives through the English countryside, damp summer afternoons at the pub. I missed cooking Jamaican rice and peas with Daniel every Sunday, the smell of scallions and red chile peppers and crushed garlic sizzling in ground nut oil.

I missed my best friend. I’d lost my other half, my daily source of raucous laughter. I was without the man I’d moved across an ocean to wake up next to, the man I believed would be the father of my children.

And for us, race was part and parcel of all of those things. Daniel and I talked about race a lot. Some of our friends, other mixed-race couples, never really acknowledged their differences: they chose the path of “colorblindness,” whatever that means. This approach wasn’t for us. Daniel often joked that if our children came out of the womb without Afros, he was putting them back. His blackness mattered to him and was a source of pride and power; it was a cornerstone of his identity. If I failed to see that, I failed to see him.

When Daniel and I talked about our future, our eventual children were ever-present. Peggy Orenstein once wrote that when she was pregnant, she imagined that as the woman in the relationship, she would be in charge of talking to her daughter about gender, and that her Japanese-American husband, as the person of color, would be in charge of race. She learned that this was not the case: they were both responsible for nurturing their daughter’s gendered and racial identities.

Becoming the kind of white woman who was equipped to do that, who was able to be a valuable partner to a black man and eventually a strong parent to black children, required not only learning how to respond effectively to racial bias, but also learning to accept that my loved ones would inevitably experience the world in ways I’d never fully understand. This was an active, continuing process: love isn’t enough. I was working on it. Working on it became part of who I was.

So we talked about race a lot. We talked about it when a pair of cops stopped to interrogate Daniel about what he was doing in front of our London flat one night as he put my empty suitcase in the backyard shed. We talked about it when a woman at the gym asked about the “colored man” I worked out with. And we talked about it when it was reported that Oxford had accepted just one British Caribbean undergraduate for the 2009 incoming class. These conversations came up as we cooked, as we rode the Tube, as we lay in bed. They were part of our daily life; they mattered to us both.

I envisioned us navigating those trenches forever. But then we broke up, and I found myself wondering if I was the same kind of white person I’d been before.

Of course, in many ways I was. Daniel didn’t teach me that race matters, nor was that his job. I was raised to think critically about such things, and my professional life working in schools furthered my understanding of the intractable nature of institutionalized racism. Migrating among a nearly all-black school in Harlem and nearly all-white schools elsewhere in Manhattan, I saw the grossly different daily lives of children who lived blocks from one another. I already knew that wrestling with the racial realities of this country, with what it means to bear privilege and in doing so inevitably inflict damage on those who don’t, is a lifelong, messy process.

But regardless of my relative awareness of the racist structures I lived within, it was hard for me — it’s hard for white people, period — to feel racism personally. Racism can matter to us, make us angry, but it usually isn’t personal. Personal is yourself, or your mother, or your child.

Or your partner. Understanding intellectually that black men are at risk in this world is one thing; fearing for Daniel’s safety was something else entirely. And that doesn’t go away just because Daniel has.

So when I began to dip my toes, tentatively, back into the dating world — when I finally accepted the possibility that my shattered heart could be somehow repaired and then proffered up again, to someone new — I had to ask: Could I be with a white guy?

Ridiculous question, I know. But Daniel often used to say (with only a hint of irony): “You can’t talk to white people about this stuff.” Could I be with someone who didn’t concern himself with the fact that young black men are punished disproportionately in school compared with their white peers? Or that they are stopped and searched far more frequently, even though they are less often found with drugs in their possession? Could I be with someone who thought such things didn’t matter? Or who believed that we had gotten past them when we moved a black family into the White House?

I think not. But that’s only another feature of my future partner, like a sense of humor and a commitment to parenthood, that could be present in a person of any race. I should know that.

The real work, I understand more and more, is learning that a relationship changes you, and yet you are still you. If it ends, you take some things with you, you leave some behind, and hopefully you’re better for it.

So I will keep working on it. And on a Sunday, if I miss rice and peas, I can just whip some up. If the man in my life one day is Italian, Chinese, or anything other than Jamaican (which seems likely: it’s a small nation), I hope he’ll enjoy my Jamaican cooking anyway. Or we could learn to cook something else.


norah jones “miriam”

just heard norah jones’s new album little broken hearts.  her collabo with danger mouse was successful where she was pushed in different (but positive) directions while still maintaining the essence of what made her a grammy-winning artist.  she said that much of the album was inspired by a bad breakup, which you can really hear it on a song like “miriam.”  from her pain, she finds a morbid sense of peace in a killer’s lullaby.  if her ex was really creeping with a girl named miriam though…

update: norah talked about the song in an interview with complex (reporter in bold):

My favorite song on …Little Broken Hearts is “Miriam.” It’s about you confronting the woman that broke up your happy relationship before you kill her. What mindset were you in when you made that song?

I guess I was sort of thinking dark things. I came out of a breakup last year and I also came out of doing all these recordings and shows with The Little Willies, my country band. We’d cover [Dolly Parton’s] “Jolene.” She punches the girl instead of begging her. I love “Delia’s Gone,” the Johnny Cash song. It’s like a murder ballad. I don’t know. It kind of all came out of that. I loved “Jolene.” I’ve been singing it for 10 years. But I never really understood it until the last few years. I never quite sang them as well until now.

OK, is “Miriam” as real as “Jolene” was?

Yeah, she’s real to whoever relates to the song and puts a face on her. [Laughs]

Is there a Miriam in your life or someone you were wishing, fantasizing about when you were making this song?

Not really. I mean, yes and no. I would never fantasize about killing somebody.

We all do.

Yeah, everybody has that feeling. More like the drama of bringing that feeling to life. It’s a pretty fun song to write.

I’m sure.

I remember I came into the control room when I was recording it and asked, ”What do you think about that last line?” [Brian said] “I don’t know! Maybe you should change it.” [Laughs]

check out the lyrics below and get the full album on may 1st.


That’s such a pretty name

I’m gonna say it when

I make you cry


You know you done me wrong

I’m gonna smile when

You say goodbye

Now I’m not the jealous type

Never been the killing kind

But you know I know what you did

So don’t put up a fight


When you were having fun

In my big pretty house

Did you think twice?


Was it a game to you?

Was it a game to him?

Don’t tell me lies

I know he said it’s not your fault

But I don’t believe that’s true

I punished him from ear to ear

Now I’ve saved the best for you

And I tried not to hurt you

Cause you might not be that bad

But it takes a lot

to make me go this mad

Oh Miriam

That’s such a pretty name

And I’ll keep saying it

Until you die


You know you done me wrong

I’m gonna smile when

You say goodbye

You know you done me wrong

I’m gonna smile when

I take your life

04/16/12 1 Comment

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